(An Idea Worth Sharing? Submit now!)

The Hole In The Wall by H.L. Dowless - May 28
Sister Sue lived in the convent. Tim Flowers worked nearby on the land. Sister Sue had lived behind the wall for such a long time. Flowers thought it was all so grand. The convent was oh-so-splendid, thought he, with the well-tended gardens and the gold-studded walls... the elegant paintings and well-educated residents... the canopy beds draped in such delicate satin sheets.
In the midst of the garden, there was a water fountain with a statue of tranquility's saint. By the small poolside surrounding the fountain, Sister Sue would appear following the rise of the sun. Donned in the anointed sheet of purity, she was, moving with the grace of proper learning; carrying 'neath her right arm a large ceramic jar filled with grain for the many fish that swam about inside the pool, shimmering so beautifully by her bare feet.
The puff of the morning wind moved the red-tip bushes that hid the hole, through which peered the face of Tim Flowers. Tim tended the land surrounding the convent, making the garden park grow so lusciously. When she raised her glance, Tim stepped to the side, never desiring her to catch him glaring, as she carried on with her assigned duties, awash in such charming grace.
With delicate hands, she eased back her headscarf... so gently, in a motion that was made ever so smoothly... revealing a face so delicate, seemingly bathed in the beauty of angelic vapor. Like glue, Tim's eyes were fixed upon her form, charmed by the beauty of her ways—like birds do for a tomcat, before he leaps forth to end their mortal days.
Before him in the morning breeze, she moved with the grace of the venerated cherub as she cast handfuls of grain into the pool. The nun never knew from where he stood viewing, for the wall held him in the place that it should. As she walked, he thought that the breeze alone moved her, for her feet never seemed to touch the stone of the garden, nor the wood.
Soon she moved from the pool of fish, pausing before the lever of the wine press, suddenly glancing in the direction of the hole in the wall. Tim's figure froze like an effigy of cold ice, concealed by the movement of the large red-tip bushes. The nun glanced back down upon the wine press, again quickly glancing up toward the hole in the wall.
With delicate hands, she eased back her headscarf... so gently, in a motion that was made ever so smoothly; revealing a face so youthful and delicate, bathed in the misty beauty of angelic splendor. Like glue, Tim's eyes were fixed upon her firm, hourglass form, charmed by the beautiful euphoria in her ways—like some hen does with a sly fox, before he leaps forth to end her days.
The feeling called him forward with the rise of every sun, to the hole in the convent wall; silently watching this lady-in-waiting, feeling the pull of her spirit burn, quietly yearning to heed her body's call. In the silence of mental voice, he yelled out to her in joy-filled greeting, hoping that she would somehow lend an ear. He wished that the feeling would in some way find her, and both of their souls would discover the same cheer.
On the opposite side of the mist there between them, one peach morning her face rose to meet that of his. Before he could move to hide, he was now forced to freeze, lest his figure her roaming eyes should find. The bushes in the breeze lost their motion, but when she turned, he then saw his chance, so he stepped aside... so slyly. Around the distant corner he now walked, anticipating that she would move to find the hole and his long-time secret.
From within the now-stilled bushes, she saw the light through the hole in the wall. Gently, she walked toward the opening, viewing the world outside beyond for the very first time. It was at this moment that she breathed a breath of new air. It was at this time that her eyes filled with new light. For in the morning distance she thought that she heard the whisper of her name, so she listened with all of her precious might.
On star-filled nights, she often hears a rustle in the hedgerow. When the wind puffs, she sometimes detects a heavy thump. When the headmaster is working on his issues, she lies silently dreaming of taking time to make a forbidden jump. In her mind, she beholds visions of liberty; by her breast, she embraces feelings of embracing passion. Oh... how she longs for the company so dearly... while she plans for it in delicate fashion.
So every third night, she slyly moves away from the company of others, always dreaming of doing so soon. She is lulled by the feeling of morning, though enchanted by the light of a full moon. With the rise of the sun, she detects his presence just beyond the stone wall; for only a small glance of him she spoons with the coming of nightfall, and the soft golden glow of the midnight lune.
The hole in the wall is still calling. The compelling power found in its voice she can no longer resist. She moves forward when the feeling is so real, and the urge to do so heavily insists; and the ability to skillfully manage this situation really thrills her—with each call of the Whip-poor-will.
Charles Allston Collins,
Convent Thoughts, 1850-1851


H.L. Dowless is a thirty five year veteran writer who loves Glenda Dowless, loves 67 to 71 Chevy pickup trucks, loves deer hunting, loves writing, loves teaching, exploring, traveling and living life on the edge.

The dull branches of the winter trees,
the sharp wood beneath your fingers and toes,
never puts anyone’s mind at ease.
Though the growth of new leaves and forgiveness of foes
bring happiness that otherwise no one sees.
The regrets of the past linger like a putrid scent,
as you try to rid those thoughts from your mind.
Feeling sorrow for saying words you never truly meant,
the warm feeling on your face soon leaves those problems behind.
Sunlight washes away current regrets, those you are not sure you will ever truly forget.
Blossoming flowers are an enchanting sight,
with aspects similar to those in the people around you.
Seeing the flower’s vibrant colors coming into a new light
inspires those that yearn to transform into something new.
It is always refreshing to see a renewed fight.
Ode to the Season of Blooming Petals by Mazie Watt - May 21
Philippe Jacques Linder,
Autumn, 1870
Mazie Watt likes to write short stories and the occasional poem. She likes to dance and read as hobbies and is very interested in reading a lot of different genres.


As we rush in the train by Robert Hills - May 14
There was nothing to do on the train because the passengers bored me. They talked with me and I tried to talk back to them. But I knew they knew I was feigning and so the conversation stopped and the carriage became quiet again. Only when all the other sounds disappeared I discovered that the train was running beneath the earth. There was no light and it was lifeless except the sound of the wheels of the train and I felt like a corpse sleeping this early. I pulled the blinds and light came through the lid above and I rose. Beyond the tough glass I saw hills rising on the horizon, underneath a river flowed. The hills were large and continuous and filled with trees. The river clear and blue. The hills rolled. The river echoed the roll. Unlike other sounds it was rhythmic. The bird was singing in four. The fish in three. The leaves in two. These sounds combined in a sonata. I put my ear to the bed. Hands caressing. I was happy thinking that I was hearing the music. Beats. Beats. Beats. Until the attendants awakened me and I realized the only thing I heard was the wheels on the railroads against the rail. She asked for my ticket to the city and I found I was only hearing the sound of the train. Before the mountains there is first the tough windows of the compartment and the tickets with claws and then there is me, lying beneath the earth, enlightened by the shadows of the sonnato that is imprinted on the wheels of the train.

Albert Bierstadt, Mountain Brook, 1863
Currently living in Winnipeg, Robert Hills write poems and short stories about nature and his experience within it. His work can be found in various local magazines.


Rain by Darren Yang - May 7
In the summer of that year we lived in a small village that was engulfed by a few mountains. These mountains were large and continuous and filled with trees, the trees huddled close to each other, and their leaves often swayed with the wind. In the mountains there were many graves. They were rarely visited in the year, but on ChongYang many members of that family would go up the mountains and clean the graves. When the rain began to hit we saw people navigating through the mountains and watched them carry candlesticks and paper money that were offered to their deceased. The candles were burnt and the paper money burnt also. Their ashes rose in the air, black against the grey of the overcast sky. Sometimes these ashes ran straight above, sometimes they slanted in the wind. Sometimes we would see the road run muddy after a shower, and the leaves dripping rain water late at night. But most often the rain would be continuous and pervasive, gentle and light, and the locals would nevermind the weather when it came time to clean the graves.
The village itself was petite. There were few schools and even fewer hospitals. The roads were bare and poor, and the paints on it had lost its colour with the constant exposure to rain. In summer and fall it was lifeless; there were no youngsters, for they all had gone to the factories in ShaoYang; in the spring it was much more vivid. The “spring transportation” took place, and many came back home. During this season the village was filled with the air of festivity, and on the sidewalks people went up and down the streets in their tricycles and many to “mosquito” restaurants to eat. Still, most of the time the village would sleep quietly in the gentle, south China rain. Its slumber was misty and dull. My grandfather was always looking forward to spring.

Gustave Caillebotte, Paris Street; Rainy Day, 1877


The Tarandus’ Bite by Matias Travieso-Diaz - April 28
The Tarandus is as bigge as an oxe, with a head not unlike to a stagges, but that it is greater, namely, carrying braunched hornes: cloven hoofed, and his haire as deepe as is the Beares…. He taketh the colour of all trees, shrubs, plants, flowers, and places wherein he lieth when he retireth for feare; and therefore seldome is he caught.
C. Plinius Secundus, The History of the World, Book VIII
As a diplomat, I have traveled to all corners of the known world at the behest of my liege, the Emperor. The following experience took place during my recent trip into the accursed land of the Scythians.
The Scythians are a nomadic people that dwell in the grassy, treeless lands that extend in all directions from the northern shore of the Pontus Euxinus. They have no cities but live in wagons and tents, thus I cannot name where this story occurred. The best I can say is that my encounter took place north of the range of the Kaukasos mountains.
I was traveling on horseback and, after crossing the mountains, found myself coming to a tent and wagon encampment by a river, holding a host of fully armed men carrying their customary bows and arrows, plus other weapons. There were numerous heads of cattle and horses under the care of the tribe’s women, since men spent most of their lives on horseback, making war against other races of barbarians and even, at times, against civilized people.
The chieftain of this settlement was away on campaign, so I was received by one of the leaders in his cohort, a man by the name of Lykos, who greeted me amiably once I indicated that I was an envoy of the Emperor, who is the Scythians’ overlord. Lykos escorted me to the chieftain’s wagon, which was then unoccupied. There, he began serving me pieces of uncooked horse meat and washing them down with kumys (fermented milk liquor) and undiluted red wine, which we drank out of the tops of enemies' skulls that had been made into drinking bowls. As we ate and drank, he related tales of the lives of the members of the tribe and their military conquests.
We both became somewhat inebriated, he far more than I. At one point, Lykos declared: “I rose from my early life as a low-born serf to become the right-hand man of our chieftain. My ascension was a reward for an act of personal sacrifice I performed. It was a hard task, but I undertook it for the good of our people.”
“What sacrifice was that?”
He answered my question with one of his own: “Have you ever heard of the tarandus?”
I shook my head.
“A tarandus is an animal that resembles a big bull, with a head like a stag’s, crowned by large, sharp, branched horns. It has cloven feet, glowing red eyes, long thick hair like that of a bear, and a skin almost as hard as armor. Its main peculiarity is that it adopts the color of the things that surround it, so that it is essentially invisible unless it chooses to display a contrasting color.”
“That seems like a very interesting beast” I replied. “Are they friendly?”
He sighed: “Not at all.” Then he continued: “Several years ago, through a caprice of some evil spirit, a fearsome tarandus appeared in our land that was unlike any other. It was even larger and more powerful than those of its kind, and when it came upon our encampments it would attack and devour our horses and cattle, leaving half-eaten carcasses strewn all over the fields. Our men organized hunting parties but were unable to slay the beast because of the difficulty in seeing the tarandus until the monster stood right next to the hunters, ready to attack them. We lost many brave warriors that way.”
“So, what did you do?”
“Our priests opined that a deliberate human sacrifice would be necessary to appease the tarandus and perhaps drive him away. That created a problem, because nobody wished to offer his or her life to the beast.”
“The candidate selection remained unresolved until someone mentioned my name. I was looked down upon by the members of our cohort due to my low status and it was considered expedient to offer me, so I was asked to volunteer for the sacrifice.”
“Did you consent?”
“I realized I could not prevail against the will of a band of warriors, thus I reluctantly had to yield to their choice to offer me to the beast. I trusted my wits and hoped I would manage somehow to survive the encounter. So, an altar in the form of a bed of fragrant branches, leaves and flowers was constructed in an open area in the middle of our encampment, and I was made to lie on it from sunset to sunrise, in expectation of a visit by the tarandus. This was repeated time and again until, on the fourth night, there were loud poundings on the ground as an unseen beast approached the spot where I lay. I was anxious with dread and almost rose to escape; only fear of being shot to death by the warriors stationed around the clearing forced me to lay still and await my probable demise.”
“I finally was able to detect the approaching monster, or at least part of it. I saw a very large dark mass and eyes that shone bright red under the light of the moon. Its massive form was near the altar and was moving deliberately in my direction.”
“I sat up from my spot on the altar and remained, cross-legged, watching in stupefied horror as the tarandus came to a halt above me. I bowed my head to the ground in obeisance and then raised my arms in supplication. The tarandus pounded the ground with its hooves, releasing a cloud of dirt into the air, and issued a hoarse utterance that seemed an expression of hunger and anticipated pleasure. I was in no position to observe the body of the beast in its entirety, but it seemed that it was no longer changing colors and the hairs covering its body had assumed a visible reddish hue, as if blood was coursing violently through the beast’s veins.”
“I then proffered my bare chest to the beast, who bit into my flesh and proceeded to mewl with what I assume must have been pleasure – a sound that turned into sheets of pain as a cloud of arrows pierced its immense body. I had the presence of mind to crawl to the side as the archers pelted the beast with volley after volley of projectiles.”
“I fainted from the intense pain, and awoke as I was being carried away by soldiers. My last look at the clearing where I had lain showed the tarandus, twisting in agony as a dozen arrows protruded from its body. The beast was being hacked to pieces by several men brandishing battle axes. Blood, bits of flesh, and gore littered the ground. It was carnage on a scale I hope not to ever see again. Afterwards, the dead animal was cast into the river that flowed by the camp and was carried away by the current.”
“How badly were you injured?”
“Very badly; it took me many weeks to recover and to this day I keep my scarred and partly consumed chest covered, as you will notice.” He pointed to the thick shawl that covered his upper body.
He must have observed the horror showing on my face once his recitation was over, for he smiled beatifically and added: “So, I accomplished two good deeds that night: I saved my people from the threat from a ferocious beast, and gave a poor animal one final moment of pleasure before its demise. And yet there was a higher price that I still had to pay, as became clear with the passage of time.”
With that, he finished his cup of wine in a single gulp.
“What was the price?”
“I developed these … cravings, similar to those exhibited by the beast.”
“What do you mean by cravings?”
Lykos did not answer, but suddenly lunged towards me, his mouth opening and closing rapidly, saliva issuing from his lips as he seemed intent on biting me.
He was quite drunk and his progress was slowed by his condition. I was also drunk, but fright must have granted me wings, for I sprung up from my stool and sprinted towards the wagon’s door as he charged. At the entrance, he tried to seize me and I took hold of one of his wrists, twisting it until something broke with a crunch. I then ran out into the night, sprinting towards the corral where my horse was lodged. I was able to escape the camp unscathed because the guards were too busy handling Lykos to give me chase.
I have no way to corroborate Lykos’ story, but I offer it as proof of the savage and debased nature of the Scythians and the wildness of the lands they occupy. Perhaps someday another traveler will be able to confirm the existence of this fabulous animal or demonstrate that it only inhabited Lykos’ imagination, fanned by the cannibalistic traditions of his people.

Anonymous, Tarandus, Middle Ages
Born in Cuba, Matias Travieso-Diaz migrated to the United States as a young man. He became an engineer and lawyer and practiced for nearly fifty years. After retirement, he took up creative writing.
Over one hundred and eighty of his short stories have been published or accepted for publication in a wide range of story anthologies, magazines, blogs, audio books and podcasts. Four anthologies of his stories have also been published.

The Eighth Chair by Mark Moran - April 21
The invitation came unbidden, a slim envelope of cream paper slipped under my door. Its edges were crisp, its ink black and exact. Dinner at Blackthorn Hall, Donegal. November 10th. Eight. No name, no flourish. Just an address and a command. I held it too long, and felt it graze my fingers. I went.
The drive north sliced through Donegal’s green hills, their peaks blurring into a slate blue sky that leached into dusk, sagging too low. Birch trees leaned, their gnarled, bare branches taut as if listening. No headlights pierced the dark, just the engine’s drone and a drizzle rapping on the windshield like fingernails. The road twisted and narrowed and dragged me onward.
Blackthorn Hall emerged ahead, a heap of stone and slate slumped into the slope. Its windows gaped, leaking a dim light. Its gabled roof had shed tiles like peeling skin. Black crooked chimneys stabbed the sky. I stepped out, boots crunching on gravel that shifted, then stilled. A dull buzz lingered, unplaceable.
The door opened as I approached, exhaling damp wood and stale smoke. Inside, sconces flickered, their weak glow smeared across walls papered in an ugly green that twitched faintly, alive. A figure stood ahead. Gaunt and angular, suit sharp but frayed at the cuffs, face pale and blank. He did not speak, simply tilting his head and leading me through an archway. His shadow trailed a beat behind.
The dining room sprawled, the air thick with dust, burnt sugar and a tang of something sharper. A candlelit table stretched too far, dark wood warped, set for eight. Seven sat, stiff, unfamiliar. A solicitor from Belfast, voice clipped; a woman in a velvet coat, accent southern; a man with a tic, face twitching; a nurse, knuckles white; a writer, lips pursed; a young woman twisting a scarf; a bearded man, silent.
Names floated up, fleeting. “Who sent them?” the solicitor asked. The writer frowned. “Mine was on my desk.” The woman in the coat blinked. Hers had arrived unstamped. No one knew.
The first course arrived – soup, grey and steaming, served by hands that slipped from view. Spoons scraped, sharp against the hush. Talk of the rain that had hounded their journeys through the backroads drifted. The broth turned metallic on the tongue. Lamps curled their light inward.
The solicitor learned forward. “This place – Blackthorn Hall. Been empty since the eighties, hasn’t it?” The nurse nodded. “Owner went missing. Chair pulled out, wine poured.” The tic-man grinned. “Bog swallowed him.” The scarf tightened in the woman’s grip.
Roast lamb arrived, rare, blood pooling under the knife, seeping onto plates that gleamed too bright. Red wine followed, dark, like ink. Talk frayed. Stern portraits on the wall shifted their eyes when I looked away, snapping back when I turned. The solicitor coughed, a dry rasp. The writer traced his glass.
“What’s the hour?” the nurse asked. Silence answered. No clocks ticked. My watch was still, hands frozen at eight. The figure lingered by the door, shadow lagging.
The woman in velvet stood, chair scraping, then froze, and sat. Fruit came for dessert. Too sweet, too ripe, like swollen tongues in a bowl. They hummed low, a vibration in the teeth. No one touched it. The air grew stale and damp, and smelled faintly of rosemary. Conversation was replaced by the faint creak of the house settling, or shifting, around us.
I sat, the floor cold through my soles. The portraits’ eyes rested on me. The wine trembled, showing a face not mine. Eyes too wide, mouth too slack. The writer whispered, “I think we’ve been here before.” His breath brushed my ear though he sat across the table. A laugh escaped the black-stained lips of the woman in velvet. A note that hung too long.
The fruit’s hum sharpened, piercing my skull. My reflection in the wine flickered, gone, then back. Wrong. My hands felt light, borrowed. My legs shifted, restless, though I hadn’t meant them to. I stood, the table tilting faintly under my palms. The others watched, still. I moved toward the door, drawn by something unseen, steps sinking into a floor that yielded, then stiffened.
The hall dimmed, lamps faint. The figure followed, silent, hands fidgeting. The air tasted of rust and cold iron. The dining room faded into a low hum.
The door hung ajar, a black sliver of night spilling in. Outside, matted grass had replaced the gravel, stretching to hills that pressed too near. The car sat where I’d left it, though its lines were blurred, like a sketch left in the rain. The house breathed behind me, windows tightening, stone shifting.
I didn’t look back. The road ran straight and hills slipped by, dark. The dashboard clock flashed eight, then blank. Blackthorn Hall shrank in the mirror, then dissolved.
At home, the invitation lay there, creased. I burned it, watched the flames take it slow, curling the edges black.
The next day, I asked about the Hall.
Empty, they said. Always was.
No dinner, no guests. Just stone up there, waiting.

Arnold Böcklin, Isle of the Dead (New York Version), 1880
Mark Moran is a travel and short fiction writer whose work explores the sensory and emotional landscapes of the places visited. With a particular interest in less-visited destinations, he seeks to capture the spirit of these locales through evocative, ethereal storytelling. Mark writes for several publications, including NÓS, Ireland's largest Irish-language magazine.

A Functional Fear Of Committed Complacence by Colin James - April 14
I recently bumped into an old colleague
who greeted me warmly
then emasculated neck upwards,
one lazy eye & all. He whispered,
"None of this is actually happening."
That's inconvenient, I thought.
He persuaded me to attend
a seminar in a city bazaar.
We got a seat near the front
and near the back simultaneously.
There was no self deprecation involved.
The speaker was young and fast.
Her pitch testing hesitancy,
tuning to the speed of the universe
compensation for our over wrought world.
I began mulling it over, rationalizing.
It made more sense to embellish servitude.
I waited for the part of me sitting in front to
become preoccupied, then slipped out the back.

Filippo Balbi, Testa Anatomica, 1854

All Natural by Kaylie Simons - April 7
M. Lefevre worked as the clerk of an old Broker who made his business in the Yvetot region.
On a cold evening of January, he was found dead in the living room of his poor house, eyes dilated in a desperate plight, and his face white as the fluttering snow.
In the afternoon he had told his wife that he felt a bitterness in his tongue that could not simply fade; he then cried that he was thirsty, and asked for a jug of water, which he drank hastily without any sign of recovery. His wife thought that he was ill, therefore let him comfort himself on the sofa.
In the morning he came home from the Cafe down the boulevard, where he and his friends insisted upon a gathering. He passed through the room, greeted his beloved, and decided to write a letter to M. Brevard, his employer, about some merchandise that had just arrived the day before yesterday from Paris.
In breakfast M. Lefevre shared a batch of bread on the terrace of the Cafe with his following companions. Putting their hand on the table they chanted some monotonous and lamentious conversations before departing home. On the edge of the road he allowed one of his friends to advise: “Watch out for the horses!”
Before dawn the Cafe owner made a brief visit to the local pharmacist, as he had suddenly suffered a great lung pain. His agonies lead the physician, who was barely awake, to prescribe a potion. At his occupation he found that his finger had a powdery dust; he scratched it off on a nearby table and washed his hand.
On the evening prior to the death of the unfortunate clerk, the assistant of the pharmacist, while cleaning the medicine shelf, accidentally pushed a glass beaker, and it broke and scattered the white powder which it contained on the adjacent potion bottle. He inquired about his employer and discovered it was only sugar. He swept the shelf and threw away the beaker.
On the previous afternoon the Pharmacist wanted to perform some experiment that was described in a journal. He went to the attic, where he put his chemicals, and took out a beaker. While he stepped, a patient who had blood all over his leg was asking for him. He dropped the beaker on a shelf for medicines and went to the man in need. He never seemed to think of the experiment again.
On the morning of that day M. Lefevre was ordering the carriage driver to load out fresh merchandise M.Brevard bought. There were some women's dresses, curtains, fabrics, along with a few pieces of furniture. The driver was sending a chair to the floor when suddenly the clerk yelled. There was an agitation among the horses. Stuned for a moment, the chair fell from the driver’s hand, hit his knees, and made a large wound.
Some weeks earlier, a second-rate scientific journal in Paris published a recipe which called for the substance potassium and arsenic.

Caspar David Friedrich, Moonrise over the Sea, 1822

At Garden Tuileries by Alex Fisher- March 13
The lilac was just beginning to reveal its fragrant scent when the gentle wind came caressing on the marble edge of the Salon. Along the boulevard, the elm trees had shed their lifeless white cloth into the gilded green gems which marked the coming of spring. It was a time where all beautiful things escaped the confines of winter, and where I found her slowly walking toward me, carried by the rays of sun which wrapped around her soft satin dress.
I felt the whimsical impulse of love hymning in my body; then a sudden rush of blood which found its way to my soul. She was the perfect incarnation of one of Titian’s venus, who, with a soft cheeks and plump features, bright hair and forget-me-not eyes, appeared almost divine. My heart found itself seduced by her appearance, and lingered there, for the eternity of time, attempting to absorb the fullest of her splendour. With the slightest of her gestures, a great joy coursed through me. With the slightest of her words, my mind was shrouded in universal fraternity, as if she were humanity itself, deserving of love…
Was it not—her lively face, the foretelling of humanity's revitalization? Was it not—her soft arms which caressed the lilac pedal—the embodiment of caring mothers, the representation of cordial guides? Was it not—her agile foot—the symbol of humanity’s hope, whose relentless pace could not be restrained? And was it not—her occasional glances, which were crowned with smiles—the reflection of love’s enduring light, casting warmth upon even the darkest parts of the globe? Yes, Yes! She was Humanity itself. She was not mere incarnation, but its yearn, its energy, its pace, and its conditional, unquestioning love!
Alas! Yet how forgetful I was to her, as I now remembered, that I had encountered her personally so many times? As night crept onto the coast of Alexandria, I saw her, mending yarn for her children who remained asleep. As rain covered the city of Toulouse, I saw her, inviting a drenched coal miner into her house. As the sun pierced through the altar of Thebes, I saw her, behind her lover, carrying a bag of nuts. And now, as she walked toward me in the garden of Tuileries, I saw her again. Her, whose inclusive love comforted my wrinkling heart!
Let us pray! May I never forget her again! May she send from heaven all of her love—whether romantic or sympathetic, whether fraternal or admirational—may she grant us her love, lest we lose it!

Vilhelm Hammershøi, Amalienborg Square, 1896

Fate by The Editors - January 29
M.Brevard was a man of severe complaints.
He was neither rich nor handsome, neither distinguished nor espoused. He lived all by himself in a little apartment on the outskirts of the city, in a constant state of unhappiness and misery, and in a perpetual emotion of sunken and desolate. Nothing which he had done the day before seemed to suit him, nor did anything which he would do in the following day. By a vague reasoning he threw all the blame on fate, quite simply fate, for it had always gone the opposite of his will.
When his remaining friends, whom he detested to see as he suffered so much of their success, attempted to comfort his feelings over a broken vase he ignored them, whatever they said, whatever they remarked, whatever was laid to soothe him—he remained idle. The vase that imprinted a thin, yellow chrysanthemum was scattered into pieces in front of his very eyes. The picture wrongly arranged and the sharp, unsanded edge had disgusted him. He began to complete his usual routine of yelling at this fate in the most vulgar and dark language—fiercely denouncing its unfairness:
—Oh! You brute! My fate! You brute! Why—you must be mad?
His friend carefully joined:
—My dear friend, please! Do not be disturbed by this petite mistake! Let us move and forget what was done!
The china vase—the chrysanthemum vase he had received only a few days ago from a colleague of his, so adored and loved—was now settled numbly on the floor, and nothing of the remaining tile seemed to resemble the original image.
—Why! Why shall I reach for the matches so clumsily! Why was it placed in this position, behind the vase, that even the slightest movement would knock it off!
M.Brevard returned his eye upon the scene, observed its crumbled atmosphere, and then sighed in a fashion developed from the years of his tremendous suffering.
—My dear Brevard, please look forward! The result cannot be altered, the vase cannot be reconstructed, and therefore your cry was pointless!
The host was still unmoved. He spat out his word as hastily as a dart.
—You reminded me! What a terrible work of fate that I had lost my previous matchbox yesterday, that I must purchase a new one to replace it! What a terrible work of fate that I placed the box near the vase, and when I went up to use it, it had lead to destruction!
His friends felt quite apologetic, not necessarily devoid of certain ridicule, at his sorrow. They stared at one another, at M.Brevard, and at the scattered vase—they were in a desperate hurry to calm him, to retrieve him from a crevice of unjustified pain, thus:
—The past is the past, Brevard! Leave this misery, stop your complaint—and find happiness elsewhere, find something to do elsewhere where you will be redeemed!
On hearing this advice, this monsieur calmed down immediately, and then, after a moment’s reflection, he said to the air, crying:
—Why I lost my matchbox on a promenade around the river! Why I decided to walk to the Seine on that dreadful day!

Claude Monet, Impression Sunrise, 1872